Arte Povera 1967-1987. An Indirect continuity runs down through Antiform and Arte povera to intertextuality and the weak relativistic subject of the 1980s
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Di uno scrittore di uomini misteriosi
Originally published in Flash Art International no. 137 November-December 1987 Among the many histories of Italian art in the sixties, the volume by Germano Celant (1985, Electa) describes the most im
Arte Povera 1967-1987. An Indirect continuity runs down through Antiform and Arte povera to intertextuality and the weak relativistic subject of the 1980s
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Arte Povera 1967-1987. An Indirect continuity runs down through Antiform and Arte povera to intertextuality and the weak relativistic subject of the 1980s
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